Earlier than Baldwin: The Writings of Richard Bruce Nugent

The African American literary critic and professor Henry Louis Gates as soon as said that the Harlem Renaissance was “absolutely as homosexual because it was Black, not that it was completely both of those.” This period witnessed the numerous contributions of quite a few queer black artists, performers, and literary figures, firmly intertwining queerness with the Harlem Renaissance’s legacy. Though many main figures of the interval, together with Countee Cullen and Langston Hughes, are believed to have pursued samesex relationships of their nonpublic lives, they maintained public personas that have been largely separate from their sexuality. Richard Bruce Nugent, who lived and wrote for a lot of his life in Greenwich Village, stands out as one of many solely overtly homosexual black writers of the period. That’s a distinction he would maintain till James Baldwin printed “Giovanni’s Room” in 1956.

Richard Bruce Nugent was born on July 2, 1906, in Washington, D.C. When he was 13, his father died of tuberculosis, so his mom, a talented pianist, moved to New York for higher work alternatives as a home servant. Nugent and his brother joined her later, residing in her condominium on West 18th Avenue and Eighth Avenue.

Younger Richard Bruce Nugent

Throughout his teenage years, Nugent fell in love with Greenwich Village. Nugent, younger, shiny, and socially outgoing, rapidly immersed himself within the Village’s avantgarde scene. Nonetheless when he expressed want to turn out to be an artist, his mom opposed the notion and despatched him to Washington, D.C to stay together with his grandmother. Mockingly it was in D.C. that he encountered the colourful tradition of the Harlem Renaissance. Nugent turned a daily attendee of Saturday salons hosted by poet Georgia Douglas Johnson. There, he met influential black writers, artists, and intellectuals, together with Dr. Alain Locke. Via Douglas, Nugent additionally met Langston Hughes, whom he adopted again to Harlem and builtin himself into Hughes’s shut circle of associates. Hughes additionally performed a pivotal position in launching Nugent’s profession, rescuing his discarded poem “Shadow” from the trash and inspiring him to ship the poem for publication in Alternative journal. “Shadow” turned Nugent’s first printed work.

Untitled by Richard Bruce Nugent, 1948. From the gathering of Thomas H. Wirth

Nugent turned shut associates with fellow author Wallace Thurman and moved into his condominium on West 136th Avenue in Harlem. In 1926, Nugent, Hughes and Zora Neale Hurston turned coeditors of Fireplace!!, a shortlived avantgarde journal began in Thurman’s condominium. In Fireplace!!, Nugent printed the groundbreaking brief story, “Smoke, Lilies, and Jade.” The story, written as a stream of consciousness, describes the romantic encounter between Alex, the protagonist and a transparent surrogate for the creator, and Magnificence, a Latino stranger. Nugent’s biographer, Thomas Wirth, considers “Smoke, Lilies, and Jade” to be Nugent’s most vital work. It was one of many first items of black literature to explicitly talk about black homosexuality and interracial want. 

Smoke, Lilies and Jade by Richard Bruce Nugent, 1925.
From the Howard College Gallery of Artwork

Within the Thirties, Nugent pursued varied creative endeavors, working as an artist, actor, and dancer. He drifted, staying with associates throughout the town or together with his mom again in Washington D.C. The Nineteen Forties introduced him again to Greenwich Village the place Nugent lived on Jane Avenue together with his associates, Warren Marr II, a publicist who later turned an editor of the NAACP’s journal, The Disaster, and his sister Grace Marr. Grace and Nugent developed a extremely romantic but platonic relationship and married in 1952. 

Within the ongoing a long time, Nugent labored as a contract artist, taking over odd jobs to complement his modest revenue. Within the late sixties, he joined different distinguished African American artists and cofounded the Harlem Cultural Council, which performed a pivotal position within the institution of the Schomburg Middle for Analysis in Black Tradition.

Richard Bruce Nugent in 1982.

By the seventies, there was a rising scholarly curiosity within the Harlem Renaissance. As certainly one of its final surviving members, Nugent turned a useful useful resource. Nugent and his story, “Smoke, Lilies,and Jade” have been important influences for the 1989 movie “In search of Langston,” and he was additionally interviewed for the documentary “Earlier than Stonewall.” He handed away on account of congenital coronary heart failure in 1987. Curiosity in his legacy has grown considerably over the previous decade. In 2008, his fulllength novel Gentleman Jigger was printed posthumously. This semiautobiographical novel, written through the Nineteen Twenties and Thirties, follows the primary character, Stuart from Greenwich Village to Chicago, via Harlem’s vibrant literary scene and his romantic encounters with varied Italian mobsters.

Henry Louis Gates underscored the significance of recognizing Nugent’s affect as literary and tradition determine, as a result of “he linked the black world of the Harlem Renaissance with the homosexual world of bohemian New York.” And naturally that world ran squarely via Greenwich Village.

The African American literary critic and professor Henry Louis Gates as soon as said that the Harlem Renaissance was “absolutely as homosexual because it was Black, not that it was completely both of those.” This period witnessed the numerous contributions of quite a few queer black artists, performers, and literary figures, firmly intertwining queerness with the Harlem Renaissance’s legacy. Though many main figures of the interval, together with Countee Cullen and Langston Hughes, are believed to have pursued samesex relationships of their nonpublic lives, they maintained public personas that have been largely separate from their sexuality. Richard Bruce Nugent, who lived and wrote for a lot of his life in Greenwich Village, stands out as one of many solely overtly homosexual black writers of the period. That’s a distinction he would maintain till James Baldwin printed “Giovanni’s Room” in 1956.

Richard Bruce Nugent was born on July 2, 1906, in Washington, D.C. When he was 13, his father died of tuberculosis, so his mom, a talented pianist, moved to New York for higher work alternatives as a home servant. Nugent and his brother joined her later, residing in her condominium on West 18th Avenue and Eighth Avenue.

Younger Richard Bruce Nugent

Throughout his teenage years, Nugent fell in love with Greenwich Village. Nugent, younger, shiny, and socially outgoing, rapidly immersed himself within the Village’s avantgarde scene. Nonetheless when he expressed want to turn out to be an artist, his mom opposed the notion and despatched him to Washington, D.C to stay together with his grandmother. Mockingly it was in D.C. that he encountered the colourful tradition of the Harlem Renaissance. Nugent turned a daily attendee of Saturday salons hosted by poet Georgia Douglas Johnson. There, he met influential black writers, artists, and intellectuals, together with Dr. Alain Locke. Via Douglas, Nugent additionally met Langston Hughes, whom he adopted again to Harlem and builtin himself into Hughes’s shut circle of associates. Hughes additionally performed a pivotal position in launching Nugent’s profession, rescuing his discarded poem “Shadow” from the trash and inspiring him to ship the poem for publication in Alternative journal. “Shadow” turned Nugent’s first printed work.

Untitled by Richard Bruce Nugent, 1948. From the gathering of Thomas H. Wirth

Nugent turned shut associates with fellow author Wallace Thurman and moved into his condominium on West 136th Avenue in Harlem. In 1926, Nugent, Hughes and Zora Neale Hurston turned coeditors of Fireplace!!, a shortlived avantgarde journal began in Thurman’s condominium. In Fireplace!!, Nugent printed the groundbreaking brief story, “Smoke, Lilies, and Jade.” The story, written as a stream of consciousness, describes the romantic encounter between Alex, the protagonist and a transparent surrogate for the creator, and Magnificence, a Latino stranger. Nugent’s biographer, Thomas Wirth, considers “Smoke, Lilies, and Jade” to be Nugent’s most vital work. It was one of many first items of black literature to explicitly talk about black homosexuality and interracial want. 

Smoke, Lilies and Jade by Richard Bruce Nugent, 1925.
From the Howard College Gallery of Artwork

Within the Thirties, Nugent pursued varied creative endeavors, working as an artist, actor, and dancer. He drifted, staying with associates throughout the town or together with his mom again in Washington D.C. The Nineteen Forties introduced him again to Greenwich Village the place Nugent lived on Jane Avenue together with his associates, Warren Marr II, a publicist who later turned an editor of the NAACP’s journal, The Disaster, and his sister Grace Marr. Grace and Nugent developed a extremely romantic but platonic relationship and married in 1952. 

Within the ongoing a long time, Nugent labored as a contract artist, taking over odd jobs to complement his modest revenue. Within the late sixties, he joined different distinguished African American artists and cofounded the Harlem Cultural Council, which performed a pivotal position within the institution of the Schomburg Middle for Analysis in Black Tradition.

Richard Bruce Nugent in 1982.

By the seventies, there was a rising scholarly curiosity within the Harlem Renaissance. As certainly one of its final surviving members, Nugent turned a useful useful resource. Nugent and his story, “Smoke, Lilies,and Jade” have been important influences for the 1989 movie “In search of Langston,” and he was additionally interviewed for the documentary “Earlier than Stonewall.” He handed away on account of congenital coronary heart failure in 1987. Curiosity in his legacy has grown considerably over the previous decade. In 2008, his fulllength novel Gentleman Jigger was printed posthumously. This semiautobiographical novel, written through the Nineteen Twenties and Thirties, follows the primary character, Stuart from Greenwich Village to Chicago, via Harlem’s vibrant literary scene and his romantic encounters with varied Italian mobsters.

Henry Louis Gates underscored the significance of recognizing Nugent’s affect as literary and tradition determine, as a result of “he linked the black world of the Harlem Renaissance with the homosexual world of bohemian New York.” And naturally that world ran squarely via Greenwich Village.

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